From award-winning author Naoki Urasawa comes a tale of crushing debt, a broken marriage, and the painting that can fix it all--if Kasumi and her dad can manage to steal it.

Kamoda will do anything to earn a quick buck, even if it means skipping out on his taxes to take his wife on a luxury cruise. But when a random tax audit bankrupts his family, Kamoda soon discovers his wife has taken that cruise after all--only without Kamoda or their daughter Kasumi.

Desperate to provide, Kamoda invests in a scheme to mass-produce masks of controversial American presidential candidate Beverly Duncan. But a lackluster election kills their sales potential, burying Kamoda under a mountain of masks and debt. On the verge of despair, Kamoda discovers a sign that leads him to the Director, an art fanatic who vows he can make all of Kamoda and Kasumi's dreams come true.

Formato	Tapa suave
Número de Páginas	264
Lenguaje	Inglés
Editorial	Viz Media
Fecha de Publicación	2020-07-21
Dimensiones	8.1" x 5.6" x 1.0" pulgadas
Serie	Mujirushi
Letra Grande	No
Con Ilustraciones	No

Naoki Urasawa's career as a manga artist spans more than twenty years and has firmly established him as one of the true manga masters of Japan. Born in Tokyo in 1960, Urasawa debuted with BETA! in 1983 and hasn't stopped his impressive output since. Well-versed in a variety of genres, Urasawa's oeuvre encompasses a multitude of different subjects, such as a romantic comedy (Yawara! A Fashionable Judo Girl), a suspenseful human drama about a former mercenary (Pineapple ARMY; story by Kazuya Kudo), a captivating psychological suspense story (Monster), a sci-fi adventure manga (20th Century Boys), and a modern reinterpretation of the work of the God of Manga, Osamu Tezuka (Pluto: Urasawa x Tezuka; co-authored with Takashi Nagasaki, supervised by Macoto Tezka, and with the cooperation of Tezuka Productions). Many of his books have spawned popular animated and live-action TV programs and films, and 2008 saw the theatrical release of the first of three live-action Japanese films based on 20th Century Boys.

No stranger to accolades and awards, Urasawa received the 2011 and 2013 Eisner Award for Best U.S. Edition of International Material--Asia, and is a three-time recipient of the prestigious Shogakukan Manga Award, a two-time recipient of the Osamu Tezuka Cultural Prize, and also received the Kodansha Manga Award. Urasawa has also become involved in the world of academia, and in 2008 accepted a guest teaching post at Nagoya Zokei University, where he teaches courses in, of course, manga.